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TIME: Almanac 1995
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1995-02-26
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<text id=94TT1021>
<title>
Aug. 01, 1994: Sport:Willie, Mickey &...The Scooter?
</title>
<history>
TIME--The Weekly Newsmagazine--1994
Aug. 01, 1994 This is the beginning...:Rwanda/Zaire
</history>
<article>
<source>Time Magazine</source>
<hdr>
ARTS & MEDIA/SPORT, Page 56
Willie, Mickey and...the Scooter?
</hdr>
<body>
<p> Even as a statistical genius wittilty attacks its methods of
seleciton, the Hall of Fame remains baseball's hokey, majestic
shrine
</p>
<p>By Richard Corliss
</p>
<p> What we really need is a Baseball Hall of Names. So much melodrama
and vaudeville echo in the monikers of old-time players: Lu
Blue, Pebbly Jack Glasscock, Orval Overall, Baby Doll Jacobson,
Heinie Manush. Sometimes a player finds a namemate from another
era and forges a powerful link in baseball's memory chain. So
this year let us induct Harvard Eddie Grant and Parisian Bob
Caruthers, Goose Goslin and Goose Gossage, Rollie Fingers and
Mordecai Peter Centennial (Three Finger) Brown. Not to forget
those matching tabloid headlines, Urban Shocker and Country
Slaughter.
</p>
<p> Some of these names are embossed on bronze plaques in the National
Baseball Hall of Fame and Museum in Cooperstown, New York. All
the names can be found in Bill James' new book, The Politics
of Glory: How Baseball's Hall of Fame Really Works (Macmillan;
$25). For 452 sizzling pages, the game's premier stats solon
and most passionate fan stir-fries the old debate about who
does and doesn't deserve to be there. "The Hall of Fame," he
writes, "has never really thought through the issue of how to
identify the most worthy Hall of Famers." His evidence: comparison
of players' records and eyewitness testimony. Exhibit A: Yankee
shortstop Phil Rizzuto, whose exclusion from the Hall stoked
a 30-year ruckus.
</p>
<p> Sunday the Scooter will be in Cooperstown, to be honored along
with the late manager Leo Durocher and Phillie fireballer Steve
Carlton. They will join the 216 players, managers, umpires,
executives and Negro League stars elected to the Hall of Fame
since 1936. In its august glamour, this citation is a combination
Nobel Prize for phys ed and Palm Springs retirement home. Rizzuto
will surely feel he belongs there. But does he?
</p>
<p> For decades the powerful New York baseball press has engaged
in what James calls "a Rizzuto Exaltathon." By now the "Holy
Cow!" boy is better known for the sprung poetry of his patter
on Yankees TV broadcasts--and for his call of "backseat petting"
on Meat Loaf's hit song Paradise by the Dashboard Light--than
for his great-field, great-bunt playing days. But even then,
James persuasively argues, he didn't have the numbers or the
earned renown of Pee Wee Reese, a Hall of Famer, or of George
Davis and Vern Stephens, who are faint memories.
</p>
<p> At first you wonder why James, who blended statistical analysis
and critical writing so brilliantly in his annual editions of
The Baseball Abstract and later The Baseball Book (now, alas,
replaced by a volume that merely handicaps players), would want
to spend a year picking apart the Cooperstown selections. It's
as if Pauline Kael were to write a book-length excoriation of
the Golden Globe Awards. In his splendid Historical Baseball
Abstract (1985), James wrote that for years he had been "refusing
to comment on who should be in the Hall of Fame and who should
not, for a simple reason: I don't care. It doesn't make any
difference who they select."
</p>
<p> But to players and fans, it does make a difference. Each year
the announcement of the Hall of Fame selections provokes both
exultation and bitterness. Yet these responses can be based
on deeply flawed judgment, on boosterism from the fans and cronyism
by the players. The Hall of Fame voters can be myopic too; they
have ignored important stats (like the size of the player's
home park) and packed the Hall with sluggers from the 1920-45
era. James' mission has always been to bring reason to heated
baseball debates. That's what he does in his new book, dispersing
the mist around the careers of those who haven't made it and
those who have. He also proposes a much broader selection process,
involving writers, players, executives, fans and baseball historians.
</p>
<p> The book percolates with wit. On the qualifications for writers
to serve on one of the early committees: "I suspect it was defined
by career alcohol consumption." On those revisionists who would
forgive Shoeless Joe Jackson's complicity in the 1919 Black
Sox scandal: "The people who want to put Joe Jackson in the
Hall of Fame are baseball's answer to those women who show up
at murder trials wanting to marry the cute murderer." On the
burghers of Cooperstown: "They're just local guys who stumbled
into this golden, glowing idea, the Hall of Fame." Could that
be why you won't find The Politics of Glory on sale at the Hall
of Fame gift shop? (A bookstore down the street sold 24 copies
in a week.)
</p>
<p> We have to realize that the Hall of Fame is two things: a seal
of approval for some very good athletes and a three-story attic
full of artifacts and photographs--the collective baseball
memory made visible. "The best thing about baseball today,"
sports historian Lawrence Ritter has written, "is its yesterdays."
And Cooperstown, an upstate village (pop. 2,300) named for James
Fenimore Cooper, offers validation for America's dream of a
bucolic past. On the undulating farmland that radiates for miles
in any direction, the main crop seems to be grass, as luscious
as a Rousseau forest; it could, and should, replace the carpet
in every turf stadium. A banner draped across Cooperstown's
main street (called, of course, Main Street) lures locals to
the Junior Livestock Show.
</p>
<p> Nearly everything else on Main Street is dedicated to the relics
of baseball. Shop for fetishes at the Dugout, Cap City or the
"Where It All Began" Bat Company. Have a Cooperstown Christmas
in July: one store sells tree ornaments year-round, including
an angel in a ball-club uniform. Enjoy a historic night's sleep
at the Baseball Town Motel, rooms from $48. Dine amid more memorabilia
at Mickey's Place (for Mantle) or at the Doubleday Cafe.
</p>
<p> It was Abner Doubleday who in 1839, according to Cooperstown
legend, laid out a diamond-shaped path at the local Phinney's
Field (now Doubleday Field) and decided that for nine innings
nine men would play a game rather like baseball. That cow pasture
was the very spot, as James writes, "where baseball could have
been invented if only all those other people hadn't invented
it first." The Hall of Fame, proposed 60 years ago this spring,
was erected nearby.
</p>
<p> James is right that the Hall of Fame, like the Miss America
Pageant or the Mount Rushmore sculptures, was essentially a
Chamber of Commerce inspiration to lure tourists. But when the
Hall opened in 1939, it became a secular shrine, the Lourdes
of baseball. It still is. The place evokes a simpler time of
grace and grit and innocence, when players didn't seem so greedy
or owners so stupid and when both sides apparently realized
that the franchise they held was on loan from the fans who had
invested so much of themselves in it. This vision is partly
fantasy--the sport excluded blacks and kept even its top stars
in indentured servitude--but to a fan, soft-focus reverie
can be as real and pungent as Phil Rizzuto's laugh.
</p>
<p> Take a walk through the Hall of Fame gallery, where the elect
are commemorated with an all-American mixture of hoke and majesty.
Guys try explaining to their wives some athletic epiphany in
the career of a stranger. One swing of a bat, one sliding catch,
a third strike from a half-century past can mist an old man's
eyes. And just as a player can win a game by coming home, so
the old teach baseball memory to the young. Last week a boy
stared at a three-panel portrait of Mays, Mantle and Snider;
the caption read "Willie, Mickey & the Duke Triptych." Looking
up at his mother, the boy asked, "Who is Duke Triptych?"
</p>
<p> Why, he's the next inductee, son, in the Baseball Hall of Names.
</p>
</body>
</article>
</text>